Program — April 2018

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► Introducing Your keynote Speakers


Program Dates

► Monday 09

► Tuesday 10

► Thursday 12

► Friday 13 

► CMA EXPO 2018 prospectus

► CMA EXPO 2018 floor plan

 
 

Wednesday 11

 
             
 

7:00 a.m. – 5:00 p.m.

Registration

 
             
 

7:00 – 8:30 a.m.

Breakfast with Exhibitors

 
             
 

8:45 – 10:15 a.m.

Opening Ceremonies and CMA Business Meeting

 
             
 

10:30 – 11:15 a.m.

Keynote

Michael Nicoll Yahgulanaas

 
  Study tour 1  

The Seriousness of Play

Michael Nicoll Yahgulanaas is an internationally-acclaimed visual contemporary artist, author and speaker. He invites us to explore different perspectives about the world, environment, and ethnicity through his unique blend of abstraction in his self-taught practice, and innovated art form, called Haida Manga. Influenced by classic Haida iconography and contemporary Asian visual culture, he abandons the rigid linear conventions and twists his work in a playful and engaging manner. His pieces can often be inverted and viewed from many angles; each providing another insight into the piece. We are initially drawn into the intriguing imagery and lively shapes of his work, but upon closer analysis, there are often more serious themes being represented. Michael will talk about his career and provide insight on how to inject play into art.


Kindly Supported by:

Sponsors Logo

 
             
 

11:30 a.m. – 12:15 p.m.

Keynote

Colleen Dilenschneider, IMPACTS Research

 
  Study tour 1  

Connectivity is King: Data on the Social Role of Museums

The data is in! At their most impactful, museums facilitate human connection — not simply between visitors and art or artifacts, but between individuals, loved ones, and their communities. Colleen Dilenschneider is the Chief Market Engagement Officer at IMPACTS Research & Development, and author of the popular website, Know Your Own Bone. During this keynote, Dilenschneider will share big data on the impact of human connection in driving visitation, increasing onsite satisfaction, and carrying out museums’ missions to educate and inspire audiences. Connectivity — both offsite and onsite — is king today. Here’s the data on how they work together to help museums both thrive and create impact in a digital world. Hint: It’s not about technology. It’s (still) all about people.


Kindly Supported by:

Sponsors Logo

 
             
 

12:15 – 1:30 p.m.

Luncheon with Exhibitors

 
             
 

1:20 – 1:40 p.m.

Musical Interlude
Royal Academy of Bhangra

Logo of the choir


Kindly Supported by:

 
             
 

1:45 – 2:45 p.m.

Keynote
Rick Hansen

 
  Study tour 1  

Man in Motion World Tour

After his keynote, you can meet Rick, and purchase a signed copy of his book.

Kindly Supported by:

Sponsors Logo

 
             
 

2:45 – 3:10 p.m.

Networking Break with Exhibitors

 
             
 

3:15 – 4:15 p.m.

Concurrent Educational Sessions

 
             
  ACCI Museum  

Talking Circle: Building Capacity for Indigenous Museums – the Development of the Aanischaauamikw Cree Cultural Centre Institute from Idea to Reality

Moderator: Sarah Pashagumskum, Aanischaauamikw Cree Cultural Centre Institute

Panelists: Annie Bosum, Harold Bosum and Laura Phillips, Aanischaauamikw Cree Cultural Centre Institute


Opened in 2011, the Aanischaaukamikw Cree Cultural Institute provides support and educational programming for all of the 10 Cree communities within the Eeyou Istchee region of Northern Quebec. This interactive, participatory session will give an overview of the development of the Aanischaaukamikw Cree Cultural Institute from the initial planning stages, to the current reality as a thriving cultural institution composed of a museum, library and archives. Panelists will discuss the accomplishments in building capacity in programming, collections, and facilities professionals and the ongoing efforts to consult with community members to plan for future strategic goals. Attendees will leave with a better understanding of the challenges, and lessons learned, from an actual build project, as well as ways to use existing community transferable skills for staffing.

 
             
  Study tour 2  

Disruption: Alternative Museum Practices that Yield Engaging and Strategic Results

Moderator: David Alexander, Royal British Columbia Museum 

Panelists: Daniel Boivin, Canadian Museum of Nature, Sandra Corbeil, Canada Science and Technology Museum, and Corey Timpson, Canadian Museum for Human Rights


Museums are living through a period of great potential for rapid change. The ability to engage in new museum practices, while still maintaining museological due diligence can seem like a contradiction, yet it need not be. Engaging audiences in a manner that meets their evolving expectations, employing new technologies or methodologies, and running more efficient operations can be complementary objectives. Where and how to evolve deserves great consideration, yet the right opportunities can yield meaningful results. Panelists from three institutions will explore different projects that did things somewhat differently and produced positive results for their respective institutions across multiple strategic objectives.

 
             
  Study tour 2  

Challenging Change: Creating Staff and Volunteer Ownership Through Collaborative Tour Training and Visitor Experience Development 

Moderator: Caroline Dromaguet, Canadian War Museum

Panelists: Ashlee Beattie, Canadian War Museum; Janet MacDonald, Royal British Columbia Museum


Is your institution interested in developing a dynamic tour or visitor experience that will engage your museum facilitators and the people who take them? Recently, in their respective institutions, the Canadian War Museum and the Royal British Columbia Museum developed interactive visitor experiences in partnership with their front-line staff and volunteers. This session examines the challenges and successes associated with developing cross-departmental, co-created interpretative programs that engender workplace cohesiveness. This collaborative process challenged both museums to break down traditional ideas about roles and responsibilities. Learn how each model resulted in a shared sense of ownership that inspired renewed initiative and openness to new possibilities. Best practices, lessons learned and the next steps will be shared with attendees.

 
             
  Canada 150  

Ship to Shore, Specimens Galore and More!

Moderator: Elizabeth McCrae, Alliance of Natural History Museums of Canada

Panelists: Ailsa Barry, Canadian Museum of Nature; James Bartram, Vancouver Aquarium: Oceanwise; Don McAlpine, New Brunswick Museum; and Kelly Sendall (retired), Royal British Columbia Museum


Canada's 150th anniversary served as a springboard for several cross-Canada projects for ANHMC members. This session will discuss how a national anniversary jump-started nation-wide projects that allowed the Alliance to collaborate with partners, increase their visibility, generate revenue and initiate processes. Panelists will speak to how they and Alliance members contributed and benefited from these initiatives. Attendees will learn how they too could initiate and benefit from similar projects.

 
             
  Ethics Illustration  

Ethical Fundraising

Moderator: Karen Bachmann, CMA President

Presenter: Robert Laidler, Museums Foundation of Canada


Sponsorships, donations, gifts and partnerships provide important opportunities for Canada’s museums. In response to a tabled motion at the 2017 AGM, the CMA Board is looking for input as it considers expanding the CMA Ethical Guidelines to include oversight of this activity. This session will open with a brief overview on how the British and American museum associations have dealt with the ethical responsibilities required by these opportunities and then follow with a round-table discussion on what the CMA could be doing. Come prepared to be part of the solution

 
             
  Study tour 2  

Case Studies — Day I
2 – 15 minute presentations with Q&A

Moderator: Margaret Chrumka, Kamloops Art Gallery


A. Experimentation and Creative Exchange at the Nanaimo Art Gallery: What Does It Mean to Live on an Island?

Presenters: Julie Bevan and Jesse Birch, Nanaimo Art Gallery

Learn about the inquiry based model piloted at the Gallery in 2017 that used the question “what does it mean to live on an island?” to frame a year of activities. This approach was intended to anchor new ways of working into the Gallery’s culture and foster active investigation, interdisciplinary collaboration and creative exchange. Successes and failures will be shared and insights on how the team is building their learning into plans for 2018.

B. The Kitchen Stories: Telling Community History Through Food

Presenter: Michael Schwartz, The Jewish Museum and Archives of BC

The Kitchen Stories is an ongoing podcast series produced by the Jewish Museum and Archives of BC. This Case Study will share insights toward how the series was conceived, how the tone was established, how contributors were found and how the series has been received by the community and general public. Participants will leave with a better understanding of how the technology of podcasting has the potential to reinvigorate the core work of museums; posing questions, sharing answers, and strengthening communities.

 
             
 

4:15 – 4:30 p.m.

Musical Interlude

Felice Choir

Logo of the choir


Kindly supported by:


Bank of Canada Logo

 
             
 

4:30 – 5:30 p.m.

A Few Words

Senator Patricia Bovey

The Senate, Arts and Progress

Fellows Lecture

Jennifer Carter, Université du Québec à Montréal

 
  Jennifer Carter Portrait  

Museums in a Culture of Human Rights: The Forms and Ethics of Socially Engaged Museological Practice

Museums tell poignant stories about society and human identity, highlighting and contextualizing historical and contemporary issues and increasingly, advocating for change. Veritable microcosms of knowledge structures, through their combined narratives, displays and forms, museums provide a portrait of how we make sense of the world at a given time, and sometimes, of how we wish the world to be.

As an increasing number of museums and their professionals commit themselves to the challenging task of curating difficult and contested knowledge, they must cultivate both ethical practices and dialogic spaces that allow for the expression of multiple, complex identities and potentially conflictual perspectives. This address examines the terms under which museum professionals and communities are engaging with issues emerging from an evolving culture of human rights in which nuance and complexity have become key, in contexts ranging from post-dictatorship and post-conflict rule to transitional justice and reconciliation in liberal democracy, and reflects on the skills and resources required by museum scholars, practitioners, and scholar-practitioners towards a socially engaged and ethical museum praxis.


Kindly supported by:
Yosef Wosk, Ph.D., OBC, and the Museums Foundation of Canada.

 
             
 

6 – 7:00 p.m.

ICOM AGM

Open to ICOM members only!

 
             
 

Optional Evening Event

Tickets are required to access all evening Events. Please note that pre-registration is required for all. Tickets will not be sold onsite.

 
             
 

7:00 – 9:30 p.m.

A Place of World Arts + Cultures — UBC Museum of Anthropology

Museum of Anthropology


Located at the University of British Columbia campus, MOA is renowned for its displays of world arts and cultures and, in particular, works by First Nations of the Pacific Northwest. Designed by Arthur Erickson, MOA houses 38,000 ethnographic objects as well as 535,000 archeological objects. Join your colleagues for a spectacular evening featuring a musical performance by the Coastal Wolf Pack, a traditional Salish dance group; curatorial guided tours of the new First Nations temporary exhibitions — The Fabric of Our Land: Salish Weaving; Culture at The Centre and In a Different Light: Reflecting on Northwest Coast Art. You can also create your own tour of the magnificent museum and outdoor spaces. Inside, visit the Great Hall, the Raven & the First Men, the Multiversity Galleries and the Koerner Gallery of European Ceramics. Outside, you can walk through the woods to the outdoor sculpture complex which includes two Haida Houses and several totem poles. Throughout you'll enjoy a Reception showcasing aboriginal cuisine paired with a selection of local craft beers and wines.

Fee: $75. This fee is included in the Premium registration. Includes transportation, tours of the galleries, Reception and one drink ticket followed by a cash bar. Open to delegates and guests.